Book

Description

This book is a collection of thematically related yet distinct research papers written over a period of twenty-two years. The book uses cross-stitches of "alienation-effect" of Brecht, themes of "emotional unconscious" in Shakespeare's finest tragedies, and the semiotic barriers of silence and broken language in his plays. The book includes two preliminary short papers featuring the mature and post-Shakespearean revolutions and social contexts. The seminal context is semiotic deconstruction of Shakespeare's broken verse structure with the premise that the First Folio original structures are intentional and psychologically relevant. The major body of research involves an entirely ground-breaking study of socio-psychological justification of the Shakespeare's experiments with semantics and short lines, and their adaptations through the history of theatre and cinema.